Atlas for After Effects

Atlas by Nightoff

Your color map starts here

Preview footage, import your LUTs, and organize your looks in After Effects.

Atlas by Nightoff full panel showing owner-provided Porsche media, source monitor, media browser, color controls and the default node graph
After Effects 2024 and newermacOS

Source-rendered Atlas interface shown with owner-provided media. The preview is owner graded; the visible UI values and default node graph are illustrative and are not a grading recipe or live After Effects capture.

Atlas grading detail showing owner-provided Porsche media, conversion and creative LUT controls, and the default node graph

Conversion and creative LUTs

Keep input correction and creative looks in separate controls, then fine-tune the result.

Atlas sequence panel showing owner-provided Porsche media, selected shots and the default node graph

Build a sequence

Arrange selected shots, preview the order, and build an editable sequence at the playhead.

Atlas V1 is live

Start your color workflow.

$85 USD
Launch price through November 17, 2026
Regular price $149 beginning November 18

Get Atlas for After Effects 2024 and newer. Your purchase includes secure Mac and Windows installer access through My Purchases, activation on up to two personal computers, and Atlas V1 updates.

Buy Atlas V1 — $85

Available now. The $149 regular price begins November 18 at 12:00 AM New York time.

After Effects 2024 and newer · macOS

Verified host versions are listed with each release. Compatibility with future Adobe versions is not guaranteed.

Windows: Early Access. Full After Effects validation is still in progress.

Bring your own LUTs

Conversion and creative LUT imports are supported. LUT packs are sold separately.

Two personal computers

One buyer can activate Atlas on up to two personal computers, with deactivation for replacements.

Inside Atlas V1

From selects to editable color.

Atlas keeps footage browsing, LUT organization, sequence building, and practical grading controls together inside After Effects.

Find and preview footage

Bring in project footage or scan a folder. Search, favorite, sort, scrub, mark In and Out points, and compare the original with the graded preview.

Atlas can create an opt-in H.264 preview proxy for media that is too heavy to play reliably in the panel. The source file is still what goes to After Effects.

Build editable After Effects sequences

Arrange marked ranges in an ordered selects list, keep a grade with each select, and build the sequence at the playhead. The resulting layers and grade controls remain editable in After Effects.

Import and organize your own LUTs

Import .cube LUTs, folders, or a supported LUT ZIP into an Atlas-managed library that persists across projects and restarts. Conversion and Creative LUTs stay separate in a fixed order: Conversion LUT, Primary grade, then Creative LUT.

Atlas V1 includes no bundled LUT packs.

Grade with practical controls

Adjust temperature, tint, exposure, contrast, highlights, shadows, whites, blacks, saturation, fade, sharpen, vibrance, look saturation, vignette, and more. Lift, Gamma, Gain, Offset, and Log wheels are also available for panel-side grading.

Supported numeric adjustments can update a linked layer in the Composition viewer. Color-wheel interaction is panel-preview only in V1.

Build Atlas Color node grades

Create editable graphs with Primary and LUT nodes, RGB curves, finishing controls, mixers, and key tools. Reorder, connect, bypass, undo, and transfer advanced grades through the native Atlas Color effect.

The packaged-host test verified a persistent two-LUT native graph. Not every node type has been tested across every codec and bit depth.

Reuse grades and shape the workspace

Save, open, copy, and reuse grades through the Grade Gallery. Overall Intensity and LUT Intensity support editable After Effects keyframes. Atlas also includes scopes, still capture, a persistent audio shelf, resizable docks, and layout backup.

Scopes and Gallery thumbnails are preview tools. Experimental denoise is included as an experimental control, not a production-grade or motion-aware denoiser.

Current validation: The Mac build was tested in After Effects 24.6.8 on one Apple-silicon Mac Studio with selected Sony H.264 and HEVC MP4 footage at 23.976 and 59.94 fps. The Atlas panel preview is an 8-bit, display-referred working view; the After Effects Composition viewer and render are authoritative. Windows is an Early Access Beta with real host validation still in progress. Premiere Pro is not supported.

Future updates

Where Atlas is heading.

Current roadmap areas include:

  • Wider camera, codec, frame-rate, and After Effects coverage
  • Continued Windows Early Access improvements
  • A smoother signed Mac installation and update path
  • Deeper grading interaction with the After Effects viewer
  • Qualifiers, masks, Power Windows, and tracking
  • More advanced native finishing and motion-aware noise reduction
  • Research toward a future Premiere Pro workflow

These are development directions, not release-date commitments. Features, platform support, pricing, and timing may change. Future major versions are not included automatically with an Atlas V1 purchase.